Snow White and the Huntsman is a new take on the classic fairy tale which features an expanded role for the Huntsman. In the fairy tale, he is ordered to take Snow White into the woods and kill her, but instead lets her go. In the new take, the Huntsman is not a love interest but acts more as a mentor, teaching Snow White to fight and survive
Well I havent watched the movie yet. So let me tell you what critics think....
NY Mag:
“It’s also strongly influenced by a lot of smart, feminist thinking about why Snow White has so much staying power—and why the story is better when it’s the heroine who slays the monstrous matriarch. [...] Kristen Stewart is not an obvious choice for Snow White, given her habitual expression of discomfort while striking conventional feminine poses—both in movies and on red carpets. That’s why, of course, she’s right for this Snow White, imprisoned in a tower during puberty and with no regard for her looks: She has integrity, inner beauty.”
Time Out NY:
“A too-bustling prologue shows how Queen Ravenna (Charlize Theron, camping it up) usurped power, poisoned the land and imprisoned her stepdaughter rival, Snow White (Kristen Stewart, a delight). But then the film finds surer footing and proceeds with a deliberateness rare in a big-budget franchise starter; you can sense the hand of coscreenwriter Hossein Amini (Drive) in the story’s always involving, slow-build structure.”
WhatCulture:
“Snow White, is of course, innocence at its most pure and literally beautiful, but what really impresses is the transformation of the source text from one which seems anachronistic in light of feminism – waiting for a man to save the day – into one of proactive escape from one’s oppressors. The seemingly delicate fairytale figurehead is repositioned as a gusty leader of men [...] with Stewart’s intensity making up for her waifish, presumably inoffensive frame. Spelled out in less expository terms than a fairytale intended for easy digestion by children, the story takes on a new form, which adults as well as tweens will appreciate. [...] More The Dark Knight than Twilight, this is one fairytale update that packs an impressive punch and a deft, human touch.”
Today Online:
“It is Theron’s crazed performance as the wicked Queen Ravenna with her psychologically fractured past and evil present that spellbinds and scene-steals. She may be playing an over-the-top psycho but no one can say she isn’t committed to the role. The Oscar-winner’s performance is enhanced by the juxtaposition of the inherent darkness and her obvious beauty, along with the wonderful costuming and impressive CGI effects.”
EntertainmentWise:
“This is certainly a grittier take on the legend, but director Rupert Sanders (making his feature debut) makes sure to mix in enough ‘Lord of The Rings’ type fantasy to make this an interesting prospect, including magical stags and enchanted forests. The story is interesting enough to sustain you over a two hour running time, and little touches like the very impressive techniques employed to portray veteran actors such as Ray Winstone and Bob Hoskins as dwarves make it look a lot different to what one expects.”
Well I havent watched the movie yet. So let me tell you what critics think....
NY Mag:
“It’s also strongly influenced by a lot of smart, feminist thinking about why Snow White has so much staying power—and why the story is better when it’s the heroine who slays the monstrous matriarch. [...] Kristen Stewart is not an obvious choice for Snow White, given her habitual expression of discomfort while striking conventional feminine poses—both in movies and on red carpets. That’s why, of course, she’s right for this Snow White, imprisoned in a tower during puberty and with no regard for her looks: She has integrity, inner beauty.”
Time Out NY:
“A too-bustling prologue shows how Queen Ravenna (Charlize Theron, camping it up) usurped power, poisoned the land and imprisoned her stepdaughter rival, Snow White (Kristen Stewart, a delight). But then the film finds surer footing and proceeds with a deliberateness rare in a big-budget franchise starter; you can sense the hand of coscreenwriter Hossein Amini (Drive) in the story’s always involving, slow-build structure.”
WhatCulture:
“Snow White, is of course, innocence at its most pure and literally beautiful, but what really impresses is the transformation of the source text from one which seems anachronistic in light of feminism – waiting for a man to save the day – into one of proactive escape from one’s oppressors. The seemingly delicate fairytale figurehead is repositioned as a gusty leader of men [...] with Stewart’s intensity making up for her waifish, presumably inoffensive frame. Spelled out in less expository terms than a fairytale intended for easy digestion by children, the story takes on a new form, which adults as well as tweens will appreciate. [...] More The Dark Knight than Twilight, this is one fairytale update that packs an impressive punch and a deft, human touch.”
Today Online:
“It is Theron’s crazed performance as the wicked Queen Ravenna with her psychologically fractured past and evil present that spellbinds and scene-steals. She may be playing an over-the-top psycho but no one can say she isn’t committed to the role. The Oscar-winner’s performance is enhanced by the juxtaposition of the inherent darkness and her obvious beauty, along with the wonderful costuming and impressive CGI effects.”
EntertainmentWise:
“This is certainly a grittier take on the legend, but director Rupert Sanders (making his feature debut) makes sure to mix in enough ‘Lord of The Rings’ type fantasy to make this an interesting prospect, including magical stags and enchanted forests. The story is interesting enough to sustain you over a two hour running time, and little touches like the very impressive techniques employed to portray veteran actors such as Ray Winstone and Bob Hoskins as dwarves make it look a lot different to what one expects.”
.jpg)
.jpg)
